Invisible Hands
80cm x 60cm, oil on canvas, 2025
This work uses Victorian finger puppetry to reimagine the role of stage manager. I cast fingers as theatrical crew members (costumes, lights, sound) to reveal the unseen labor behind performances. Moving in unison, each is vital yet unseen, echoing my backstage role where creation and control stay quietly offstage.
Fisheye
50cm x 50cm, oil on canvas, 2025
Framed as a circular diptych, this piece stacks the fisheye warp of the lens, a literal fish- tank habitat, a "real world" viewed as if underwater, and a painted memory beneath it all. My raised hand acts as a visor and barrier, testing what is surface and what is reflection. The goldfish moves between layers, turning the bowl into a world and a witness.
Embracing The Shadows
80cm x 60cm, acrylic on canvas, 2025
This painting lingers in the charged pause before performance. Athletes before a match, actors before the curtain, or myself before stepping onto the volleyball court. I use negative space to treat darkness as a container for breath and focus. Dressed in black like a stage manager, I tie my hair, a quiet ritual that holds the weight of what comes next.
THROUGH MY OWN LENS
60cm x 40cm, oil on canvas, 2025
Painting
I’ve been recognized for my work in painting and digital art, receiving 8 Scholastic Art & Writing Awards, including 2 Gold Keys, 4 Silver Keys, and 2 Honorable Mentions. I’m interested in how visual language can hold stories that words often cannot express.
Through My Own Lens
60cm x 40cm, oil on canvas, 2025
In this piece, I use my own image to explore identity as an ongoing act of creation. Holding a camera and a painter's palette, I place myself between observation and interpretation. The self-portrait palette suggests transformation through art, while the camera represents truth. Together, they reflect how I construct my identity.
We Were Never Silent
Variable size, oil on canvas and poster design, 2025
While researching art history, I discovered how Indigenous women artists remain deeply marginalized. This inspired me to create a poster series borrowing the visual language of the Guerrilla Girls, updating protest aesthetics with current data on racial and gender inequity. Installed in Beijing's 798, the work asks who defines silence, visibility, and value.
and art museums in
Collaborated with galleries
Beijing's798Art District to install posters
